Tom beghin beethoven biography

Books:

(as editor:) Myth and Reality in Beethoven’s Hammerklavier Sonata, Opus   Keyboard Perspectives vol.

7: Yearbook of the Westfield Center for Historical Keyboard Studies. Ithaca, NY: Westfield Center,

The Virtual Haydn: Paradox of a Twenty-First-Century Keyboardist.

In Beethoven received a piano from Erard Frères in Paris.

Tom Beghin has been at the forefront of a new generation of interpreters of 18th- and early 19th-century music.

Tom Beghin, a leading fortepianist and artistic researcher, has been praised for his eloquence and originality.

Using a replica of Beethoven's Erard piano, scholar and performer Tom Beghin launches a striking reinterpretation of a key period of Beethoven's work.

In August , Beethoven ordered a piano in the shape of a harpsichord from Erard Frères in Paris.

Chicago: University of Chicago Press,

(as co-editor, with Sander Goldberg:) Haydn and the Performance of Rhetoric. Chicago: University of Chicago Press,   Winner of the AMS Ruth A. Solie Award.

Essays:

“The C-natural that wants to be a C-sharp: Visions and Realities of Beethoven’s Broadwood.”  In Jonathan Impett (ed.), Artistic Research in Music: Discipline and Resistance.

Leuven: Leuven University Press, ),

“Beethoven’s Hammerklavier Sonata, Opus Legend, Difficulty, and the Gift of a Broadwood Piano."  In Tom Beghin (ed.), Myth and Reality: Beethoven’s Hammerklavier Sonata, Opus (Keyboard Perspectives vol.

7: Yearbook of the Westfield Center for Historical Keyboard Studi