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Rearngsak boonyavanishkul biography books

          His works are on view along with pieces by Panya Vijinthanasarn, Sompop Budtarad, Rearngsak Boonyavanishkul, Thongchai Srisukprasert and.

          He is author of the forthcoming Thai Contemporary Artists Directory, Destiny to Prateep Kochabua () and his art fiction novel the Art of Love (Ruk Nai Roy.!


          Born in 1961, Singhburi, Thailand
          Education: B.F.A.

          (Thai Art) 1986, Silpakorn University, Bangkok, Thailand
          Lives and works in Bangkok

          Graduated during the eighties, Rearngsak Boonyavanishkul was heavily influenced by the modernism movement in the West. He went through a period of Surrealism, painting words that transcends reality and escapes into the metaphysical world.

          Rearngsak Boonyavanishkul is a Thai painter who was born in He is the son-in-law to Singaporean first generation artist, Choo Keng Kwang.

        1. Rearngsak Boonyavanishkul is a Thai painter who was born in He is the son-in-law to Singaporean first generation artist, Choo Keng Kwang.
        2. Other than sculpting, Rearngsak Boonyavanishkul continues on with his childhood passion of drawing.
        3. He is author of the forthcoming Thai Contemporary Artists Directory, Destiny to Prateep Kochabua () and his art fiction novel the Art of Love (Ruk Nai Roy.
        4. Asian Sensibility in Rearngsak Boonyavanishkul pp Add to clipboard.
        5. Rearngsak Boonyavanishkul, The Legend of Wang-Na, Surasit Saokong (from the Serenity series, forgot to note the exact title and date of.
        6. As a Thai artist, his works are often heavily laced with religious themes.


          However, in 1990, when he moved to Singapore, Rearngsak Boonyavanishkul dropped the metaphysical world, and embraced, ironically, hyper-realism.

          He began to paint Balinese and Thai dancers, of which their photographic realism deserves one’s utmost admiration. In fact every dancer is captured with sleekness and clarity and their costumes are intricately decorated to the tiniest detail possible.

          Unsurprisingly, Gatra magazine (November 9, 2002) writes about how the women in his works come alive at night but of course, must only b